In search of Tsitsi Dangarembga
WordPress, the platform for my blog Moments In Literature, has a feature called “Search Engine Terms”, which tells you what words people searched in order to end up viewing your posts. Nearly daily, the visitors to Moments in Literature come through searches of Tsitsi Dangarembga, using the following terms: bira Dangarembga, interviews with Tsitsi Dangarembga, Dangarembga’s Nervous Conditions, Zimbabwean literature Dangarembga, Dangarembga new excerpt, and many others.
So people are looking for Dangarembga, people are talking. And they have reasons to. First, the world is leaning towards focusing on Zimbabwean literature, what with all the drama that the country has been going through. Early next year the world of reading will be greeted with two books by Petina Gappah, which promise to be huge successes (Gappah is a good writer), and there is likely to be hightened interest in the literature of Zimbabwe in general.
Perhaps, the interest in Dangarembga is a reflection of what’s on the minds of many readers (I am assuming it’s not one person visiting my blog through numerous, if not obsessive, searches for Dangarembga’s works); it is a reflection of the fact that there is renewed interest in her works, or in finding clues about Zimbabwe in her novels. Read more…
Why we write still
Someone made a remark, the other night, which had me thinking about the role of writing and value of writers. We were at the Book Café for a Literary Discussion on Valerie Tagwira’s The Uncertainty of Hope. The person asked why there was such a fairytale ending to the novel, given all the vicissitudes explored and the woes that Onai, the protagonist endures.
“Real life is not like that. Why is it our writers can’t tell it like it is?” lamented the participant. I wonder if the Brothers Grimm ever had to answer such a question. Why are fairytales still fascinating even up to this day? Read more


